Deutsch, D. (Ed.). The Psychology of Music, 2nd Edition, 1999, San Diego: Academic Press, [Web Link]
Deutsch, D. (Ed.). The Psychology of Music, Ist Edition, Volume II, Japanese translation. 1988, Nishimura Co., Ltd.
Deutsch, D. (Ed.). The Psychology of Music, Ist Edition, Volume I, Japanese translation. 1987, Nishimura Co., Ltd.
Deutsch, D. (Ed.). The Psychology of Music, 1st Edition, 1982, New York: Academic Press.
Deutsch, D. & Deutsch, J. A. (Eds.). Short Term Memory, 1975, New York: Academic Press
Deutsch, J. A., & Deutsch, D. Physiological Psychology , 2nd Edition, 1973, Illinois: Dorsey Press
Deutsch, J. A. & Deutsch, D. Physiological Psychology, 1st Edition, 1966, llinois: Dorsey Press
Diana Deutsch, Phantom Words and Other Curiosities. Philomel Records, Compact Disc and Booklet, 2003.
Diana Deutsch, Musical Illusions and Paradoxes. Philomel Records, Compact Disc and Booklet, 1995.
Deutsch, D. Auditory illusions. In Goldstein, B. (Ed.) . The Sage Encyclopedia of Perception, in press
Deutsch, D. Musical Illusions, In Larry R. Squire, Editor. Encyclopedia of Neuroscience, 2009, Academic Press, Oxford, 5, 1159-1167. [PDF Document]
Deutsch, D., Dooley, K., Henthorn, T. and Head, B. Absolute pitch among students in an American music conservatory: Association with tone language fluency. Journal of the Acoustical Society of America, April, 2009, 125, 2398-2403. [PDF Document] [Web Link]
Deutsch, D., Le, J., Shen, J., and Henthorn, T. The pitch levels of female speech in two Chinese
villages. JASA Express Letters, April, 2009, 125, [PDF Document]
Deutsch, D., Dooley, K., and Henthorn, T. Pitch circularity from tones comprising full harmonic series. Journal of the Acoustical Society of America, 2008, 124, 589-597. [PDF Document] [Web Link]
Deutsch, D. Review of Oliver Sacks: . Musicophilia - Tales of Music and the Brain, Scientific American Mind, 2008, [Web Link]
Deouell, L. Y., Deutsch, D., Scabini, D., Soroker, N., and Knight, R. T. No disillusions in Auditory Extinction: Perceiving a Melody Comprised of Unperceived Notes. Frontiers in Human Neuroscience, 2008, 1, [PDF Document] [Web Link]
Wade, N., and Deutsch, D. Binaural hearing before and after the stethophone. Acoustics Today, 2008, 4, 16-27. [PDF Document]
Deutsch, D. Music Perception. In 'Listening in the world: Behavioral and neurobiological bases of complex-sound perception'. Frontiers of Bioscience (special issue), 2007, 12, 4473-4482. [PDF Document]
Henthorn, T. & Deutsch, D. Ethnicity versus Early Environment: Comment on 'Early childhood music education and predisposition to absolute pitch: Teasing apart genes and environment' by Peter K. Gregersen, Elena Kowalsky, Nina Kohn, and Elizabeth West Marvin (2000). American Journal of Medical Genetics, Part A, 2007, 143A, 102-103. [PDF Document] [Web Link]
Deutsch, D., Hamaoui, K., and Henthorn, T. The Glissando Illusion and Handedness. Neuropsychologia, 2007, 45, 2981-2988. [PDF Document] [Web Link]
Deutsch, D. Mothers and their offspring perceive the tritone paradox in closely similar ways. Archives of Acoustics, 2007, 32, 3-14. [PDF Document]
Deutsch, D. Music and talk. In L. Margulis and E. Punset (Eds.). Mind, Life, Universe: Conversations with great scientists of our time, 2007, Chelsea Green Publishing Company, White River Junction, VT, 241-248. [Web Link]
Deutsch, D., Henthorn, T., Marvin, E., & Xu H-S. Absolute pitch among American and Chinese conservatory students: Prevalence differences, and evidence for a speech-related critical period. Journal of the Acoustical Society of America, 2006, 119, 719-722. [PDF Document]
Deutsch, D. The Enigma of Absolute Pitch. Acoustics Today, 2006, 2, 11-18. [PDF Document]
Deutsch, D.,& Hamaoui, K. Grouping mechanisms in music. In T.H. Stoffer and R. Oerter (Eds.). Encyclopedia of Psychology, Vol 1., 2005, Gottingen: Hogrefe, 1, 307-341.
Deutsch, D.,& Hamaoui, K. The processing of pitch combinations. In T.H. Stoffer and R. Oerter (Eds.). Encyclopedia of Psychology, Vol 1., 2005, Gottingen: Hogrefe, 1, 343-372.
Deutsch, D., Henthorn T. and Dolson, M. Speech patterns heard early in life influence later perception of the tritone paradox. Music Perception, 2004, 21, 357-372. [PDF Document]
Deutsch, D., Henthorn T. and Dolson, M. Absolute pitch, speech, and tone language: Some experiments and a proposed framework. Music Perception, 2004, 21, 339-356. [PDF Document]
Deutsch, D. The Octave Illusion Revisited Again. Journal of Experimental Psychology: Human Perception and Performance, 2004, 30, 355-364. [PDF Document]
Deutsch, D. Reply to Reconsidering evidence for the suppression model of the octave illusion, by C.D. Chambers, J.B. Mattingley, and S.A. Moss. Psychonomic Bulletin and Review, 2004, 11, 667-676. [PDF Document]
Deutsch, D. In Chapter 9 of E. Punset (Ed.), Lenguaje musical y humano. Cara a cara con la vida, la mente y el Universo, 2004, Barcelona: Destino, 241-248.
Deutsch, D. An evolutionary perspective on music. Review of The Origins of Music., edited by N. L. Wallin, B. Merker, & S. Brown. Contemporary Psychology APA REVIEW OF BOOKS., 2003, 48, 54-56.
Deutsch, D. Absolute pitch - a connection between music and speech?. Bulletin of Psychology and the Arts, 2003, 4, 19-21.
Deutsch, D. The Puzzle of Absolute Pitch. Current Directions in Psychological Science, 2002, 11, 200-204. [PDF Document]
Deutsch, D. An interdisciplinary perspective on music and memory. Review of Music and Memory : An Introduction, by Bob Snyder. Contemporary Psychology APA REVIEW OF BOOKS., 2002, 47, 410-412.
Deutsch, D. The psychology of music (section). In Stanley Sadie (Ed.). The New Grove Dictionary of Music and Musicians. (revised), 2001, London: Macmillan
Deutsch, D. Music. In Alan E. Kazdin (Ed.). Encyclopedia of Psychology, 2000, Oxford University Press and the American Psychological Association
Deutsch, D. Grouping mechanisms in music. In D. Deutsch (Ed.). The psychology of music, 2nd Edition, 1999, Academic Press, 299-348. [PDF Document]
Deutsch, D. Processing of pitch combinations. In D. Deutsch (Ed.). The psychology of music, 2nd Edition, 1999, Academic Press, 349-412. [PDF Document]
Deutsch, D. The psychology of hearing. Sound and Video Contractor, 1998, September, 34-44. [Web Link]
Deutsch, D. Paradoxien der Tonhohenwahrnehmung. In O. Gunturkun (Ed.). Biopschologie, 1998, Spektrum Akademischer Verlag GmbH, Heide, 18-25.
Deutsch, D. The tritone paradox: A link between music and speech. Current Directions in Psychological Science, 1997, 174-180. [PDF Document]
Deutsch, D. The perception of auditory patterns. In W. Prinz and B. Bridgeman (Eds.). Handbook of Perception and Action, Vol 1, 1996, Academic Press, 1, 253-296.
Deutsch, D. Paradoxical music. Echoes (Acoustical Society of America), 1996, 6, 1-5.
Deutsch, D. Paradoxes of musical pitch. In Science and the Arts. Scientific American (Special Issue), 1995, 46-51.
Ragozzine, F. and Deutsch, D. A regional difference in perception of the tritone paradox within the United States. Music Perception, 1994, 12, 213-225. [PDF Document]
Deutsch, D. The tritone paradox: Some further geographical correlates. Music Perception, 1994, 12, 125-136. [PDF Document]
Deutsch, D. La perception des structures musicales. In A. Zenatti (Ed.). Psychologie de la Musique, 1994, Presses Universitaires de France, 115-144.
Deutsch, D. Die Wahrenehmung auditiver Muster. In W. Prinz and B. Bridgeman (Eds.). Wahrnehmung, Volume in Enzyklopadie de Psychologie, 1994, Verlag fur Psychologie, 339-389.
Deutsch, D. Illusions in sound and music. Sound and Video Contractor, 1994, 10-20.
Deutsch, D. Musical Intelligence. In R. J. Sternberg (Ed.). Encyclopedia of Human Intelligence, 1994, New York: MacMillan
Deutsch, D. The Tritone Paradox and the Pitch Range of the Speaking Voice: Reply to Repp. Music Perception, 1994, 12, 257-263. [PDF Document]
Deutsch, J. A., & Deutsch, D. Attention: Some theoretical considerations. In G. Underwood (Ed.), The Psychology of Attention. Volume in. International Library of Critical Writings in Psychology, 1993, Aldershot: Edward Elgar Publishing
Deutsch, J. A., & Deutsch, D. Comments on "Selective attention: perception or response?" In G. Underwood (Ed.), The Psychology of Attention. Volume in. International Library of Critical Writings in Psychology, 1993, Aldershot: Edward Elgar Publishing
Deutsch, D. Paradoxes of musical pitch. Scientific American, 1992, 267, 88-95. [PDF Document]
Deutsch, D. Some new pitch paradoxes and their implications. In Auditory Processing of Complex Sounds. Philosphical Transactions of the Royal Society, Series B, 1992, 336, 391-397. [PDF Document]
Deutsch, D. The tritone paradox: Implications for the representation and communication of In M. R. Jones and S. Holleran (Eds.). Cognitive bases of musical communication, 1992, American Psychological Association Monog, 115-138.
Deutsch, D. & Pierce, J. R. The climate of auditory imagery and music. In D. Reisberg (Ed.). Auditory Imagery, 1992, Hillsdale: Erlbaum, 237-260.
Deutsch, D. Some new pitch paradoxes and their implications. In R. P. Carlyon, C. J. Darwin, & I. J. Russell (Eds.). Processing of Complex Sounds by the Auditory System, 1992, Oxford University Press, Oxford, 97-104.
Deutsch, D. The tritone paradox: An influence of language on music perception. Music Perception, 1991, 8, 335-347. [PDF Document]
Deutsch, D. Pitch proximity in the grouping of simultaneous tones. Music Perception, 1991, 9, 185-198. [PDF Document]
Deutsch, D., North, T. and Ray, L. The tritone paradox: Correlate with the listener's vocal range for speech. Music Perception, 1990, 7, 371-384. [PDF Document]
Deutsch, D. Music for the Ear and Brain. Ars Musica, 1989
Deutsch, D. Foreward to S. McAdams and I. Deliege (Eds.). Music and the Cognitive Sciences, Contemporary Music Review, 1989, Harwood Academic Publishers, London
Deutsch, D. Foreward to S.MacAdams and I. Deliege (Eds.). Musique et sciences cognitives, 1989, Editions Pierre Mardaga, Brussels
Deutsch, D. Some new musical paradoxes. In S. Nielzen and O. Olsson (Eds.). Structure and perception of electroacoustic sound and music, 1989, Springer-Verlag, 61-812.
Deutsch, D. Pitch class and octave similarity. Proceedings of the First International Conference on Music Perception and Cognit, 1989, Kyoto, Japan, 107-112.
Deutsch, D. Pitch proximity in the formation of harmonic groupings. Proceedings of the First International Conference on Music Perception and Cognit, 1989, Kyoto, Japan, 445-448.
Deutsch, D. The Semitone Paradox. Music Perception, 1988, 6, 115-132. [PDF Document]
Deutsch, D. Lateralization and sequential relationships in the octave illusion. Journal of the Acoustical Society of America, 1988, 83, 365-368. [PDF Document] [Web Link]
Deutsch, D. Foreward to R. Frances. The Perception of Music (Translation of La Perception de la Musique), 1988, Hillsdale: Erlbaum
Deutsch, D. Pitch class and perceived height: Some paradoxes and their implications. In E. Narmour and R. Solie (Eds.). Explorations in Music, The Arts, and Ideas: Essays in Honor of Leonard B. Meyer, 1988, New York: Pendragon Press, 261-294.
Deutsch, D. Music perception. In E. Barnouw (Ed.). International Encyclopedia of Communications, 1988, Oxford University Press
Deutsch, D. Review of M. Campbell and C. Greated . The Musician's Guide to Acoustics. Journal of the Audio Engineering Society, 1988
Deutsch, D. Illusions for Stereo Headphones. Audio Magazine, 1987, 36-48. [PDF Document]
Deutsch, D., Kuyper, W. L. and Fisher, Y. The tritone paradox: Its presence and form of distribution in a general population. Music Perception, 1987, 5, 79-92. [PDF Document]
Deutsch, D. The tritone paradox: Effects of spectral variables. Perception & Psychophysics, 1987, 41, 563-575. [PDF Document]
Deutsch, D. Auditory illusions. In R. L. Gregory (Ed.). The Oxford Companion to the Mind, 1987, 61-63.
Deutsch, D. Music perception: History of thought. In R. L. Gregory (Ed.). The Oxford Companion to the Mind, 1987, 505-506.
Deutsch, D. A musical paradox. Music Perception, 1986, 3, 275-280. [PDF Document] [Web Link]
Deutsch, D. Recognition of durations embedded in temporal patterns. Perception and Psychophysics, 1986, 39, 179-187. [PDF Document]
Deutsch, D. Auditory pattern recognition. In K. Boff, L. Kaufman and J. Thomas (Eds.). Handbook of Perception and Human Performance, 1986, Wiley, 32, 1-44.
Deutsch, D., Moore, F. R., & Dolson, M. The perceived height of octave-related complexes. Journal of the Acoustical Society of America, 1986, 80, 1346-1353. [PDF Document] [Web Link]
Deutsch, D. & Feroe, J. La rappresentazione interna delle sequenze sonore nella musica tonale. In L. M. Lorenzetti, and A. Antonietti (Eds.). Processi cognitivi in musica, 1986, Milano, Franco Angeli Libri, 133-163.
Deutsch, D. Review of P. Howell, I. Cross, and R. West. Musical Structure and Cognition. Journal of the Acoustical Society of America, 1986
Deutsch, D. Generalizzione dell'ottava e ritenzione dell'informazione melodica. In L. M. Lorenzetti, and A. Antonietti (Eds.). Processi cognitivi in musica, 1986, Milano, Franco Angeli Libri, 164-170.
Deutsch, D. Dichotic Listening to Melodic Patterns and Its Relationship to Hemispheric Specialization of Function. Music Perception, 1985, 3, 127-154. [PDF Document]
Deutsch, D. Representation of pitch and pitch combinations. In H. Bruhn, R. Oerter, and H. Rosing (Eds.). Musikpsychologie - Ein Handbuch in Schluselbegriffen, 1985, Urban and Schwarzenberg
Deutsch, D. Review of J. A. Sloboda, The Musical Mind. The Times Higher Educational Supplement, 1985
Deutsch, D. Psychology and Music. In M.H. Bornstein (Ed.). Psychology and its Allied Disciplines, 1984, Hillsdale: Erlbaum, 155-194. [PDF Document]
Deutsch, D. Two issues concerning tonal hierarchies: Comment on Castellano, Bharucha, and Krumhansl. Journal of Experimental Psychology: General, 1984, 113, 413-416. [PDF Document]
Deutsch, D. & Boulanger, R.C. Octave equivalence and the processing of tonal sequences. Music Perception, 1984, 2, 40-51. [PDF Document]
Deutsch, D. Memory for auditory information. In Squire, L. R. and N. Butters (Eds.). Neuropsychology of Memory, 1984, The Guiford Press, 45-54.
Deutsch, D., F. R. Moore, & Dolson, M. Pitch classes differ with respect to height. Music Perception, 1984, 2, 265-271. [PDF Document]
Deutsch, D. Musical space. In R. Crozier and T Chapman (Eds.). Cognitive Processes in the Perception of Art, 1984, North Holland
Deutsch, D. Review of H. R. Schiffman, Sensation and Perception. Journal of the Acoustical Society of America, 1984, [Web Link]
Deutsch, D. Review of M. Mayer. Sensory Perception Laboratory Manual. Journal of the Acoustical Society of America, 1984
Deutsch, D. Review of Geissler et al. Psychophysical Judgment and the Process of Perception. Journal of the Acoustical Society of America, 1984
Deutsch, D. The octave illusion in relation to handedness and familial handedness background. Neuropsychologia, 1983, 21, 289-293. [PDF Document]
Deutsch, D. The Generation of Two Isochronous Sequences in Parallel. Perception & Psychophysics, 1983, 34, 331-337. [PDF Document]
Deutsch, D. Opening Editorial. Music Perception, 1983, 1, 1-2. [PDF Document]
Deutsch, D. Reply to 'Comments on 'Ear dominance and sequential interactions' by E. William Yund. Journal of the Acoustical Society of America, 1983, 73, 1865-1867. [PDF Document]
Deutsch, D. Handedness and memory for tonal pitch. In J. Herron (Ed.). Neuropsychology of Left-handedness, Japanese edition, 1983, 269-278.
Deutsch, D. Auditory illusions and audio. Journal of the Audio Engineering Society, 1983, 31, 606.
Deutsch, D. Auditory illusions, handedness, and the spatial environment. Journal of the Audio Engineering Society, 1983, 31, 607-618.
Deutsch, D. Grouping mechanisms in music. In D. Deutsch (Ed.). The Psychology of Music, 1982, New York: Academic Press, 99-134.
Deutsch, D. The processing of pitch combinations. In D. Deutsch (Ed.). The Psychology of Music, 1982, New York: Academic Press, 271-316.
Deutsch, D. Organizational processes in music. In M. Clynes (Ed.). Music, Mind and Brain, 1982, Plenum, New York, 119-136.
Deutsch, D. The influence of melodic context on pitch recognition judgement. Perception and Psychophysics, 1982, 31, 407-410. [PDF Document]
Deutsch, D. The internal representation of information in the form of hierarchies. Perception and Psychophysics, 1982, 31, 596-598. [PDF Document]
Deutsch, D. Review of M. Kubovy and J. R. Pomerantz (Eds.), Perceptual Organization. Journal of the Acoustical Society of America, 1982
Deutsch, D. Review of R.D. Walk and H.L. Pick, Jr. (Eds.), Intersensory Perception and Sensory Integration. Contemporary Psychology, 1982
Deutsch, D. & Feroe, J. The Internal Representation of Pitch Sequences in Tonal Music. Psychological Review, 1981, 88, 503-522. [PDF Document]
Deutsch, D. The Octave Illusion and Auditory Perceptual Integration. In Tobias, J.V., and Schubert, E.D. Hearing Research and Theory, Volume 1, 1981, New York: Academic Press, 1, 99-142. [PDF Document]
Deutsch, D. Review of D. McFadden (Ed.), Neural Mechanisms in Behavior. Journal of the Acoustical Society of America, 1981, 70, 647.
Deutsch, D. Response to 'Auditory Perception in Music Teaching and Learning' by J.J. Heller and W.C. Campbell. Proceedings of the National Symposium on the Applications of Psychology to the Teaching and Learning of Music., 1981, Reston, Virginia
Deutsch, J. A., & Deutsch, D. This week's citation classic. Current Contents, 1981, 11, 16.
Deutsch, D. Music perception and memory. Kungliga Musikaliska Akademiens Arsskrift, 1981, 38-60.
Deutsch, D. Response to 'Auditory Perception in Music Teaching and Learning' by J.J. Heller and W.C. Campbell. Proceedings of the National Symposium on the Applications of Psychology to the Teaching and Learning of Music, 1981, Reston, Virginia
Deutsch, D. Handedness and Memory for Tonal Pitch. In J. Herron (Ed.). Neuropsychology of Lefthandedness, 1980, New York: Academic Press, 263-271. [PDF Document]
Deutsch, D. The processing of structured and unstructured tonal sequences. Perception & Psychophysics, 1980, 28, 381-389. [PDF Document]
Deutsch, D. Ear dominance and sequential interactions. Journal of the Acoustical Society of America, 1980, 67, 220-228. [PDF Document] [Web Link]
Deutsch, D. The octave illusion and the what-where connection. In R. S. Nickerson (Ed.). Attention and Performance VIII, 1980, 575-594.
Deutsch, D. Music perception. The Musical Quarterly, 1980, 66, 165-179. [PDF Document]
Deutsch, D. Review of Brown, E. L., and Deffenbacher, K., Perception and the Senses. Journal of the Acoustical Society of America, 1980, 68, 375.
Deutsch, D. Review of Radocy, R. E., and Boyle, J. D., Psychological Foundations of Musical Behavior. Contemporary Psychology, 1980
Deutsch, D. Octave Generalization and the Consolidation of Melodic Information. Canadian Journal of Psychology, 1979, 25, 399-405. [PDF Document]
Deutsch, D. Binaural integration of melodic patterns. Perception & Psychophysics, 1979, 25, 399-405. [PDF Document]
Deutsch, D. Review of L. E. Marks, The Unity of the Senses. Journal of the Acoustical Society of America, 1979, 65, 1353. [Web Link]
Deutsch, D. Review of J. B. Davies, The Psychology of Music. Journal of Aesthetics and Art Criticism, 1979, 379-380.
Deutsch, D. Review of Coren, S., Porac, C., and Ward, C. M., Sensation and Perception. Journal of the Acoustical Society of America, 1979, 66, 1907.
Deutsch, D. Pitch memory: An advantage for the lefthanded. Science, 1978, 199, 559-560. [PDF Document]
Deutsch, D. Delayed pitch comparisions and the principle of proximity. Perception & Psychophysics, 1978, 23, 227-230. [PDF Document]
Deutsch, D. Interference in Pitch Memory as a Function of Ear of Input. Quarterly Journal of Experimental Psychology, 1978, 30, 282-287. [PDF Document]
Deutsch, D. Lateralization by frequency for repeating sequences of
dichotic 400-Hz and 800-Hz tones. Journal of the Acoustical Society of America, 1978, 63, 183-186. [PDF Document]
Deutsch, D. The psychology of music. In E. C. Carterette and M. P. Friedman (Eds.). Handbook of Perception, 1978, New York: Academic Press, Volume X, 191-218.
Deutsch, D. Octave generalization and melody identification. Perception and Psychophysics, 1978, 23, 91-92.
Deutsch, D. Interactive effects in memory for harmonic intervals. Perception and Psychophysics, 1978, 24, 7-10. [PDF Document]
Deutsch, D. & Gregory, A. H. Deutsch's octave illusion. Nature, 1978, 274, 721. [PDF Document]
Deutsch, D. Review of O. Szende, Intervallic Hearing: Its Nature and Pedagogy. Journal of the Acoustical Society of America, 1978, 64, 707.
Deutsch, D. Memory and attention to music. In M. Critchley and R. A. Henson (Eds.). Music and the Brain, 1977, London: Heinemann Medical Books, 95-130.
Deutsch, D. & Roll, P. L. Separate "what" and "where" decision mchanisms in processing a dichotic tonal sequence. Journal of Experimental Psychology: Human Perception and Performance, 1976, 2, 23-29. [PDF Document]
Deutsch, D. Musical illusions. Scientific American offprint No. 566, 1976, Freeman and Co.
Deutsch, D. Illusioni Musicali. Le Scienze, 1976, 96, 76-83.
Deutsch, D. Two-channel listening to musical scales
. Journal of the Acoustical Society of America, 1975, 57, 1156-1160. [PDF Document] [Web Link]
Deutsch, D. Facilitation by repetition in recognition memory for tonal pitch. Memory and Cognition, 1975, 3, 263-266. [PDF Document]
Deutsch, D. & Feroe, J. Disinhibition in pitch memory. Perception & Psychophysics, 1975, 17, 320-324. [PDF Document]
Deutsch, D. The organization of short term memory for a single acoustic attribute. In D. Deutsch and J. A. Deutsch (Eds.). Short Term Memory, 1975, New York: Academic Press, 107-151. [PDF Document]
Deutsch, D. Auditory Memory. Canadian Journal of Psychology, 1975, 29, 87-105.
Deutsch, D. Musical Illusions. Scientific American, 1975, 233, 92-104.
Deutsch, D. Generality of interference by tonal stimuli in recognition memory for pitch. Quarterly Journal of Experimental Psychology, 1974, 26, 229-234.
Deutsch, J. A., & Deutsch, D. Attention: Some theoretical considerations. In D. G. Stein and Jeffrey J. Rosen (Eds.). Basic Structure and Function in the Central Nervous System, 1974, New York: MacMillan Co.
Deutsch, D. An auditory illusion. Nature, 1974, 251, 307-309. [PDF Document] [Web Link]
Deutsch, D. & Roll, P. L. Error patterns in delayed pitch comparisons as a function of relational context. Journal of Experimental Psychology, 1974, 103, 1027-1034. [PDF Document]
Deutsch, D. Interference in memory between tones adjacent in the musical scale. Journal of Experimental Psychology, 1973, 100, 228-231. [PDF Document]
Deutsch, D. Octave generalization of specific interference effects in memory for tonal pitch. Perception and Psychophysics, 1973, 13, 271-275. [PDF Document]
Deutsch, D. Octave generalization and tune recognition. Perception & Psychophysics, 1972, 11, 411-412. [PDF Document]
Deutsch, D. Mapping of Interactions in the Pitch Memory Store. Science, 1972, 175, 1020-1022. [PDF Document]
Deutsch, D. Effect of Repetition of Standard and Comparison Tones on Recognition Memory for Pitch. Journal of Experimental Psychology, 1972, 93, 156-162. [PDF Document]
Deutsch, D. Music and Memory. Psychology Today, 1972, 8552, 87-89, 119.
Deutsch, D. Tones and numbers: Specificity of interference in immediate memory. Science, 1970, 168, 1604-1605. [PDF Document]
Deutsch, D. Dislocation of Tones in a Musical Sequence: a Memory Illusion. Nature, 1970, 226, 286. [PDF Document]
Deutsch, D. Music Recognition. Psychological Review, 1969, 76, 300-309. [PDF Document]
Deutsch, J. A., & Deutsch, D. Attention: Some theoretical considerations. Reprinted in Ralph Norman Haber (Ed.). Information Processing Approaches to Visual Perception, 1969, New York: Holt, Rinehart and Winston
Deutsch, J. A., & Deutsch, D. Animal motivation. Encyclopaedia of Linguistics Information and Control, 1968, Pergamon Press
Deutsch, J. A., & Deutsch, D. Comments on selective attention: Perception or response. Quarterly Journal of Experimental Psychology, 1967, 19, 362-367.
Deutsch, J. A., & Deutsch, D. Attention: Some theoretical considerations. In Paul Bakan (Ed.). Attention, 1966, D. Van Nostrand Co., Inc.
Deutsch, J. A., & Deutsch, D. Attention: some Theoretical Considerations. Psychological Review, 1963, 70, 80-90. [PDF Document]
PUBLISHED SOUND EXAMPLES
Patrick Grim. In Philosophy of Mind: Brains, Consciousness, and Thinking Machines, CD-ROM. 2008, The Teaching Company, Chantilly, VA
Deutsch, D. Phantom Words, and Other Curiosities, 2003, La Jolla: Philomel Records, [Web Link]
Adelman, G. and B. H. Smith (Eds.). In Encyclopedia of Neuroscience, 2nd Edition, CD-Rom Version. 1999, Amsterdam: Elsevier Science
Deutsch, D. Musical Illusions and Paradoxes, 1995, La Jolla: Philomel Records, [Web Link]
Butler, D. In The musician's guide to music perception and cognition. Schirmer, 1992
A. J. M. Houtsma, T. D. Rossing, and W. M. Wagenaars. In Auditory demonstrations. Acoustical Society of America and Philips, 1987
Deutsch, D. Illusions for Stereo Headphones. Audio Magazine, 1987, 36-48. [PDF Document]
Pierce, J.R. In The Science of Musical Sound. Scientific American Library, 1983
Deutsch, D (Ed.). In Auditory Illusions and Audio.. Special Issue of the Journal of the Audio Engineering Society, 1983, [Web Link]
Kubovy, M. and J. Pomeranz (Eds.). In Perceptual Organization. 1981, Hillsdale: Erlbaum
E. Bruce Goldstein. In Sensation and Perception, 8th Edition, Virtual Lab, CD-ROM.
SELECTED ABSTRACTS
Deutsch, D., Dooley, K., Henthorn, T. and Head, B. Absolute pitch among students in an American music conservatory: Association with tone language fluency. Journal of the Acoustical Society of America, April, 2009, Portland, 125, 2683. [Web Link] [Laylanguage version]
Deutsch, D. The ICMPC Series, and some current research on music perception and cognition. (Invited Keynote Paper). 10th International Conference on Music Perception and Cognition, August, 2008, Sapporo, Japan, [PDF Document]
Stewart, L., McDonald, C., Kumar, S., Deutsch, D., and Griffiths, T. D. A role for pitch memory in congenital amusia. 10th International Conference on Music Perception and Cognition, August, 2008, Sapporo, Japan, [PDF Document]
Deutsch, D., Lapidis, R., and Henthorn, T. The Speech-to-Song Illusion. Journal of the Acoustical Society of America, November, 2008, 124, 2471. [Web Link] [Laylanguage version]
Griffiths, T. D., McDonald, C., Kumar, S., Deutsch, D., Chinnery, P., and Stewart, L. Could a congenital disorder of musical perception ever be explained by a single gene? Relating neuronal organization to a complex behavioural phenotype. Special Issue on the International Workshop on the Biology and Genetics of Music, Bologna, May 20-22. Neuromusic News, 2007, 12, 14.06. [PDF Document]
Deutsch, D., Dooley, K., and Henthorn, T. A new pitch circularity illusion. Paper presented at the meeting of the. Society for Music Perception and Cognition, Montreal, Aug 1, 2007
Deutsch, D., Dooley, K., and Henthorn, T. A new pitch circularity illusion. Annual Auditory Perception, Cognition, and Action Meeting, Long Beach, November, 2007, [PDF Document]
Deutsch, D. & Henthorn, T. Two issues at the interface between speech and music. (invited presentation). Journal of the Acoustical Society of America, 2006, 120, 3167. [Web Link]
Deutsch, D. Dooley, K. Dubnov S. Henthorn, T. & Wurden, A. Pitch circularity produced by varying the amplitudes of odd and even harmonics. Journal of the Acoustical Society of America, 2005, 118, 1949. [Web Link]
Deutsch, D. Hamaoui, K. Henthorn, T. The Glissando Illusion: A spatial illusory contour in hearing. Journal of the Acoustical Society of America, 2005, 117, 2476. [Web Link] [Laylanguage version]
Deutsch, D., Henthorn, T., Marvin, E. and Xu H-S. Tone language and absolute pitch: Prevalence among American and Chinese conservatory students. Journal of Acoustical Society of America, 2004, 116, 2580. [Web Link] [Laylanguage version]
Deutsch, D. Two curiosities relating music to speech. Presented to the Society of Experimental Psychologists, 2003
Deutsch, D., Henthorn, T. & Dolson, M. Bilingual speakers perceive a musical illusion in accordance with their first language. Journal of the Acoustical Society of America, 2000, 108, 2591. [Web Link]
Deutsch, D., Henthorn, T. and Dolson, M. Absolute pitch is demonstrated in speakers of tone languages. Journal of Acoustical Society of America, 1999, 106, 2267. [Web Link] [Laylanguage version]
Deutsch, D. Auditory illusions and the brain. Symposium on: Perception, Illusion, and the Brain. AAAS Annual Meeting, 1999, Anaheim
Deutsch, D. Some musical illusions and their relationships to speech. In Symposium on: Communication: Neurobiological and environmental approaches. AAAS Annual Meeting, 1997, Seattle
Deutsch, D. The tritone paradox: A link between music and speech. Invited paper. Workshop on Language and Music Processing, 1997, Marseilles
Deutsch, D. Mothers and their children hear a musical illusion in strikingly similar ways. Journal of the Acoustical Society of America, 1996, 99, 2482. [Web Link] [Laylanguage version]
Ragozzine, F., & Deutsch, D. A regional difference within the United States in perception of the tritone paradox. Journal of the Acoustical Society of America, 1993, 94, 1860. [Web Link]
Deutsch, D. Some new musical paradoxes: A link between music and speech. Invited Address. American Psychological Association, Division 3, 1991, San Francisco
Deutsch, D. Some new sound paradoxes and their implications. Royal Society Discussion Meeting on Auditory Processing of Complex Sounds, 1991, Royal Society, London
Deutsch, D., L. Ray, M. Dolson, S. Zisook, and F. R. Moore. Computer evaluation of musical performance from the acoustic signal: An exploratory study on performance anxiety. (invited presentation). Journal of the Acoustical Society of America, 1990, 88, [Web Link]
Deutsch, D. A link between music perception and speech production. (invited presentation). Journal of the Acoustical Society of America, 1990, 88, S71. [Web Link]
Deutsch, D., North, T. & Ray, L. Vocal range for speech determines perception of a musical pattern. Journal of the Acoustical Society of America, 1989, 86, S17. [Web Link]
Deutsch, D. A new pitch paradox. Journal of the Acoustical Society of America, 1988, 84, s144. [Web Link]
Deutsch, D. An auditory paradox. Journal of the Acoustical Society of America, 1986, 80, s93. [Web Link]
Deutsch, D. Some new musical illusions, Invited presentation. Audio Engineering Society Convention, 1986, Los Angeles
Deutsch, D., F. R. Moore, & Dolson, M. Pitch classes differ with respect to height. Journal of the Acoustical Society of America, 1985, 77, s35. [Web Link]
Deutsch, D. Nontransposable music. In American Psychological Association Symposium, Recent advances in the psychology of music, 1985, Los Angeles
Deutsch, D. Musical illusions and paradoxes, Invited Address. American Psychological Association Convention, 1985, Los Angeles
Deutsch, D. Stereo TV, Invited presentation. Society for Motion Picture and Television Engineers Workshop, 1985, Los Angeles
Deutsch, D. Nontransposable music.
. Society for Music Theory Meeting, 1985, Vancouver
Deutsch, D., F. R. Moore. A spectral contrast illusion. Journal of the Acoustical Society of America, 1984, 76, s77. [Web Link]
Deutsch, D. Duration discrimination and the processing of rhythmic patterns. Psychonomic Society Meeting, 1984, El Paso
Deutsch, D. The processing of simultaneous musical streams. (invited presentation). Workshop on Physical and Neuropsychological Foundations of Music, 1983, Ossiach, Austria
Deutsch, D. Musical space. (Plenary Session Address.). International conference on Psychology and the Arts, 1983, Cardiff, Wales
Deutsch, D. The processing of simultaneous musical streams. Society for Music Theory Meeting, 1983, New Haven
Deutsch, D. Octave equivalence in the processing of tonal sequences. Journal of the Acoustical Society of America, 1983, [Web Link]
Deutsch, D. Dichotic listening to musical sequences: Relationship to hemispheric specialization of function. (invited presentation). Journal of the Acoustical Society of America, 1983, [Web Link]
Deutsch, D. A left-right anisotropy in the perception of tonal sequences. Psychonomic Society Meeting, 1983, San Diego
Deutsch, D. Psychoacoustical illusions, handedness, and the spatial environment. (Invited presentation). 72nd Audio Engineering Society Convention, 1982, Anaheim
Deutsch, D. Music and the sciences: the interface. 25th Annual Meeting of the College Music Society, 1982, Boston
Deutsch, D. The organization of musical information. American Psychological Association Symposium: Of Musical Charms and Noisy Theories, 1981., Los Angeles
Deutsch, D. Recall of hierarchically structured melodic sequences. Journal of the Acoustical Society of America, 1980, 67, s7. [Web Link]
Deutsch, D. Music perception. (Invited tutorial presentation). Journal of the Acoustical Society of America, 1979, 65, s92. [Web Link]
Deutsch, D. Memory for pitch and pitch relationships. In American Psychological Association Symposium: Individual and Sociocultural Determinants of Musical Perception and Production. Memory for pitch and pitch relationships., 1979, New York
Deutsch, D. Ear dominance depends on sequential, frequency-specific interactions between tones at the two ears. Journal of the Acoustical Society of America, 1978, 63, s31. [Web Link]
Deutsch, D. Binaural integration of tonal patterns. Journal of the Acoustical Society of America, 1978, 64, s146. [Web Link]
Deutsch, D. Left handers outperform right handers on a pitch memory task. Journal of the Acoustical Society of America, 1977, 61, [Web Link]
Deutsch, D. Octave equivalence in the processing of tonal sequences. (Invited presentation). Journal of the Acoustical Society of America, 1976, 60, s94. [Web Link]
Deutsch, D. Influence of relational context on pitch recognition as a function of retention interval. Journal of the Acoustical Society of America, 1976, 59, s51. [Web Link]
Deutsch, D. Lateralization by frequency in dichotic tonal sequences as a function of interaural amplitude and time differences. Journal of the Acoustical Society of America, 1976, 60, s50. [Web Link]
Deutsch, D. An auditory illusion. Journal of the Acoustical Society of America, 1974, 55, s18-s19. [TIF Document] [Web Link]
Deutsch, D. An illusion with musical scales. Journal of the Acoustical Society of America, 1974, 56, s25. [Web Link]
SELECTED INVITED PRESENTATIONS
Special session organizer. Musical ability: Innate factors and environmental influences, October, 2009, 158th meeting of the Acoustical Society of America, San Antonio
Keynote panelist. West Coast Conference of Music Theory and Analysis, March, 2009, Pomona
Invited speaker. UCI CHR Spring Symposium, April, 2009, Irvine
Keynote presentation. Sound and Science Symposium, March, 2009, University of California, Los Angeles
Invited Keynote Paper, The ICMPC series, and some current research on music perception and cognition. Proceedings of the 10th International Conference on Music Perception and Cognition, August, 2008, Sapporo, Japan
Invited Address. International Association of Empirical Aesthetics, August, 2008, Chicago
Invited lecturer. University of Southern California, April, 2007
Invited Presentation. Western Psychological Association Convention, April, 2006, Palm Springs
Co-Chair (with Yoshitaka Nakajima) of Special Session "Perception of Speech and Music: Evidence for Modularity and for Common Processing Mechanisms" . Fourth Joint Meeting Acoustical Society of American and Acoustical Society of Japan, Nov-Dec, 2006, Honolulu
Keynote speaker. CCRMA Open House, May, 2005, Stanford University
APS William James Distinguished Lecture, March, 2004, delivered at the annual meeting of the Southeastern Psychological Association, Atlanta
Invited presentation. Gathering for Gardner 6 (g4g6), March, 2004, Atlanta
Colloquium presentation. Ear Club, May, 2004, Department of Psychology, University of California, Berkeley
Public Lecture, The Exploratorium. May, 2004, San Francisco
Featured Speaker. National Hearing Conservation Association Annual Conference, February, 2003, Dallas
Invited Speaker, Second Annual Meeting of the. Society of Amateur Scientists, July, 2003, California Institute of Technology
Invited Lecture. Skeptics Society, October, 2003, California Institute of Technology
Keynote Speaker
. Auditory Perception, Cognition and Action Meeting, November, 2002, Kansas City
Musical illusions and paradoxes. Invited lecture. Reuben Van Fleet Theater (Society for Amateur Scientists), November, 2001, San Diego
Invited Address, American Psychological Society Convention. June, 2001, Toronto
Public Lecture, Reuben H. Fleet Science Center. November, 2001, San Diego
Invited Presentation. The Sciences for the Arts, 2000, University of California, Irvine
Invited Presentation, Annual meeting of the. National Association of Schools of Music, 2000, San Diego
Invited Speaker, Annual Meeting of the. American Association for the Advancement of Science, January, 1999, Anaheim
Robert and Winifred Smith Lecture, 1999, University of California Irvine
Perfect pitch and musical perception. Invited lecture. Mozart Festival, Kennedy Center for the Performing Arts, 1998, Washington, D. C.
Musical illusions and paradoxes. Invited lecture. Mozart Festival, Kennedy Center for the Performing Arts, 1998, Washington, D. C.
Invited speaker and session organizer. Winter Conference on Brain Research, 1986, Keystone
Invited speaker and session organizer. 81st Audio Engineering Society Convention, 1986, Los Angeles
Invited speaker. Society for Motion Picture and Television Engineers seminar on Stereo Television, 1985, Los Angeles
Program committee member and session organizer. Fifth Workshop on the Physical and Neuropsychological Foundations of Music, 1985, Ossiach, Austria
Invited Address. American Psychological Association Convention, 1985, Division 1 (General Psychology). Cosponsored by Divisions 3, 6, 10, 21, and 40, Los Angeles
Invited speaker and symposium chair. Recent advances in the psychology of Music, American Psychological Association Symposium, 1985, Los Angeles
Invited speaker. The Biology of Music Making, 1984, Denver
Invited Speaker and Session Organizer. Fourth Workshop on the Physical and Neuropsychological Foundations of Music, 1983, Ossiach, Austria
Invited Presentation, Acoustical Society of America. November, 1983
Plenary Session Speaker and Symposium Convener. International Conference on Psychology and the Arts, 1983, Cardiff, Wales
Session Convener. NATO International Conference on the Acquisition of Symbolic Skills, 1982, Keele, England
Panel Discussant. 25th Annual Meeting of the College Music Society, 1982, Boston
MIT Learning Workshop. 1982, Los Angeles
Chairman and Invited Speaker: Plenary Session. 72nd Audio Engineering Society Convention, 1982, Anaheim
Invited Public Lecture: . Institut de Recherche et Coordination Acoustique-Musique, 1981, Paris, France
Invited Lecture. Royal Swedish Academy of Music, 1981, Stockholm, Sweden
Invited Speaker and Session Organizer. Third Workshop on the Physical and Neuropsychological Foundations of Music, 1980, Ossiach, Austria
Invited Presentation. Attention and Performance VIII, 1978, Princeton
Workshop on Drugs and Cognition. Organized by the National Institute on Drug Abuse, September, 1978, Belmont
Workshop on Drugs and Cognition. Organized by the National Institute on Drug Abuse, December, 1978, Alsilomar
Invited Presentation. Ann Arbor Symposium on the Applications of Psychology to Music, November, 1978
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