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 BooksDiscographySelected
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Deutsch, J. A. & Deutsch, D. Physiological Psychology Illinois: Dorsey Press, 1st Edition 1966; 2nd Edition 1973.
Deutsch, D. & Deutsch, J. A. (Eds.) Short Term Memory. New York: Academic Press, 1975.
Deutsch, D. (Ed.) The Psychology of Music. New York: Academic Press. Ist Edition, 1982.
Deutsch, D. (Ed.) The Psychology of Music. New York: Academic Press. Ist Edition, Japanese translation, Nishimura Co., Ltd. , Volume I, 1987; Volume II, 1988.
Deutsch, D. (Ed.) The Psychology of Music. 2nd Edition. San Diego: Academic Press, 1999.
Deutsch, D. Sound, Music, and the Brain, Copernicus Books, in preparation.
Diana Deutsch, Musical Illusions and Paradoxes. Philomel Records, Compact Disc and Booklet, 1995.
Diana Deutsch, Phantom Words and Other Curiosities. Philomel Records, Compact Disc and Booklet, 2003.
Deutsch, J. A., & Deutsch, D. Attention: some Theoretical Considerations. Psychological Review, 1963, 70, 80-90.
Deutsch, J. A., & Deutsch, D. Attention: Some theoretical considerations. In Paul Bakan (Ed.). Attention, 1966, D. Van Nostrand Co., Inc.
Deutsch, J. A., & Deutsch, D. Comments on selective attention: Perception or response. Quarterly Journal of Experimental Psychology, 1967, 19, 362-367.
Deutsch, J. A., & Deutsch, D. Animal motivation. Encyclopaedia of Linguistics Information and Control, 1968, Pergamon Press
Deutsch, D. Music Recognition. Psychological Review, 1969, 76, 300-309.
Deutsch, J. A., & Deutsch, D. Attention: Some theoretical considerations. Reprinted in Ralph Norman Haber (Ed.). Information Processing Approaches to Visual Perception, 1969, New York: Holt, Rinehart and Winston
Deutsch, D. Tones and numbers: Specificity of interference in immediate memory. Science, 1970, 168, 1604-1605.
Deutsch, D. Dislocation of Tones in a Musical Sequence: a Memory Illusion. Nature, 1970, 226, 286.
Deutsch, D. Octave generalization and tune recognition. Perception & Psychophysics, 1972, 11, 411-412.
Deutsch, D. Mapping of Interactions in the Pitch Memory Store. Science, 1972, 175, 1020-1022.
Deutsch, D. Effect of Repetition of Standard and Comparison Tones on Recognition Memory for Pitch. Journal of Experimental Psychology, 1972, 93, 156-162.
Deutsch, D. Music and Memory. Psychology Today, 1972, 8552, 87-89, 119.
Deutsch, D. Interference in memory between tones adjacent in the musical scale. Journal of Experimental Psychology, 1973, 100, 228-231.
Deutsch, D. Octave generalization of specific interference effects in memory for tonal pitch. Perception and Psychophysics, 1973, 13, 271-275.
Deutsch, D. Generality of interference by tonal stimuli in recognition memory for pitch. Quarterly Journal of Experimental Psychology, 1974, 26, 229-234.
Deutsch, J. A., & Deutsch, D. Attention: Some theoretical considerations. In D. G. Stein and Jeffrey J. Rosen (Eds.). Basic Structure and Function in the Central Nervous System, 1974, New York: MacMillan Co.
Deutsch, D. An auditory illusion. Nature, 1974, 251, 307-309.
Deutsch, D. & Roll, P. L. Error patterns in delayed pitch comparisons as a function of relational context. Journal of Experimental Psychology, 1974, 103, 1027-1034.
Deutsch, D. Two-channel listening to musical scales
. Journal of the Acoustical Society of America, 1975, 57, 1156-1160.
Deutsch, D. Facilitation by repetition in recognition memory for tonal pitch. Memory and Cognition, 1975, 3, 263-266.
Deutsch, D. & Feroe, J. Disinhibition in pitch memory. Perception & Psychophysics, 1975, 17, 320-324.
Deutsch, D. The organization of short term memory for a single acoustic attribute. In D. Deutsch and J. A. Deutsch (Eds.). Short Term Memory, 1975, New York: Academic Press, 107-151.
Deutsch, D. Auditory Memory. Canadian Journal of Psychology, 1975, 29, 87-105.
Deutsch, D. Musical Illusions. Scientific American, 1975, 233, 92-104.
Deutsch, D. & Roll, P. L. Separate "what" and "where" decision mchanisms in processing a dichotic tonal sequence. Journal of Experimental Psychology: Human Perception and Performance, 1976, 2, 23-29.
Deutsch, D. Musical illusions. Scientific American offprint No. 566, 1976, Freeman and Co.
Deutsch, D. Illusioni Musicali. Le Scienze, 1976, 96, 76-83.
Deutsch, D. Memory and attention to music. In M. Critchley and R. A. Henson (Eds.). Music and the Brain, 1977, London: Heinemann Medical Books, 95-130.
Deutsch, D. Pitch memory: An advantage for the lefthanded. Science, 1978, 199, 559-560.
Deutsch, D. Delayed pitch comparisions and the principle of proximity. Perception & Psychophysics, 1978, 23, 227-230.
Deutsch, D. Interference in Pitch Memory as a Function of Ear of Input. Quarterly Journal of Experimental Psychology, 1978, 30, 282-287.
Deutsch, D. Lateralization by frequency for repeating sequences of
dichotic 400-Hz and 800-Hz tones. Journal of the Acoustical Society of America, 1978, 63, 183-186.
Deutsch, D. The psychology of music. In E. C. Carterette and M. P. Friedman (Eds.). Handbook of Perception, 1978, New York: Academic Press, Volume X, 191-218.
Deutsch, D. Octave generalization and melody identification. Perception and Psychophysics, 1978, 23, 91-92.
Deutsch, D. Interactive effects in memory for harmonic intervals. Perception and Psychophysics, 1978, 24, 7-10.
Deutsch, D. & Gregory, A. H. Deutsch's octave illusion. Nature, 1978, 274, 721.
Deutsch, D. Review of O. Szende, Intervallic Hearing: Its Nature and Pedagogy. Journal of the Acoustical Society of America, 1978, 64, 707.
Deutsch, D. Octave Generalization and the Consolidation of Melodic Information. Canadian Journal of Psychology, 1979, 25, 399-405.
Deutsch, D. Binaural integration of melodic patterns. Perception & Psychophysics, 1979, 25, 399-405.
Deutsch, D. Review of L. E. Marks, The Unity of the Senses. Journal of the Acoustical Society of America, 1979, 65, 1353.
Deutsch, D. Review of J. B. Davies, The Psychology of Music. Journal of Aesthetics and Art Criticism, 1979, 379-380.
Deutsch, D. Review of Coren, S., Porac, C., and Ward, C. M., Sensation and Perception. Journal of the Acoustical Society of America, 1979, 66, 1907.
Deutsch, D. Handedness and Memory for Tonal Pitch. In J. Herron (Ed.). Neuropsychology of Lefthandedness, 1980, New York: Academic Press, 263-271.
Deutsch, D. The processing of structured and unstructured tonal sequences. Perception & Psychophysics, 1980, 28, 381-389.
Deutsch, D. Ear dominance and sequential interactions. Journal of the Acoustical Society of America, 1980, 67, 220-228.
Deutsch, D. The octave illusion and the what-where connection. In R. S. Nickerson (Ed.). Attention and Performance VIII, 1980, 575-594.
Deutsch, D. Music perception. The Musical Quarterly, 1980, 66, 165-179.
Deutsch, D. Review of Brown, E. L., and Deffenbacher, K., Perception and the Senses. Journal of the Acoustical Society of America, 1980, 68, 375.
Deutsch, D. Review of Radocy, R. E., and Boyle, J. D., Psychological Foundations of Musical Behavior. Contemporary Psychology, 1980,
Deutsch, D. & Feroe, J. The Internal Representation of Pitch Sequences in Tonal Music. Psychological Review, 1981, 88, 503-522.
Deutsch, D. The Octave Illusion and Auditory Perceptual Integration. In Tobias, J.V., and Schubert, E.D. Hearing Research and Theory, Volume 1, 1981, New York: Academic Press, 1, 99-142.
Deutsch, D. Review of D. McFadden (Ed.), Neural Mechanisms in Behavior. Journal of the Acoustical Society of America, 1981, 70, 647.
Deutsch, D. Response to 'Auditory Perception in Music Teaching and Learning' by J.J. Heller and W.C. Campbell. Proceedings of the National Symposium on the Applications of Psychology to the Teaching and Learning of Music., 1981, Reston, Virginia
Deutsch, J. A., & Deutsch, D. This week's citation classic. Current Contents, 1981, 11, 16.
Deutsch, D. Music perception and memory. Kungliga Musikaliska Akademiens Arsskrift, 1981, 38-60.
Deutsch, D. Response to 'Auditory Perception in Music Teaching and Learning' by J.J. Heller and W.C. Campbell. Proceedings of the National Symposium on the Applications of Psychology to the Teaching and Learning of Music, 1981, Reston, Virginia
Deutsch, D. Grouping mechanisms in music. In D. Deutsch (Ed.). The Psychology of Music, 1982, New York: Academic Press, 99-134.
Deutsch, D. The processing of pitch combinations. In D. Deutsch (Ed.). The Psychology of Music, 1982, New York: Academic Press, 271-316.
Deutsch, D. Organizational processes in music. In M. Clynes (Ed.). Music, Mind and Brain, 1982, Plenum, New York, 119-136.
Deutsch, D. The influence of melodic context on pitch recognition judgement. Perception and Psychophysics, 1982, 31, 407-410.
Deutsch, D. The internal representation of information in the form of hierarchies. Perception and Psychophysics, 1982, 31, 596-598.
Deutsch, D. Review of M. Kubovy and J. R. Pomerantz (Eds.), Perceptual Organization. Journal of the Acoustical Society of America, 1982,
Deutsch, D. Review of R.D. Walk and H.L. Pick, Jr. (Eds.), Intersensory Perception and Sensory Integration. Contemporary Psychology, 1982,
Deutsch, D. The octave illusion in relation to handedness and familial handedness background. Neuropsychologia, 1983, 21, 289-293.
Deutsch, D. The Generation of Two Isochronous Sequences in Parallel. Perception & Psychophysics, 1983, 34, 331-337.
Deutsch, D. Opening Editorial. Music Perception, 1983, 1, 1-2.
Deutsch, D. Reply to 'Comments on 'Ear dominance and sequential interactions' by E. William Yund. Journal of the Acoustical Society of America, 1983, 73, 1865-1867.
Deutsch, D. Handedness and memory for tonal pitch. In J. Herron (Ed.). Neuropsychology of Left-handedness, Japanese edition, 1983, 269-278.
Deutsch, D. Auditory illusions and audio. Journal of the Audio Engineering Society, 1983, 31, 606.
Deutsch, D. Auditory illusions, handedness, and the spatial environment. Journal of the Audio Engineering Society, 1983, 31, 607-618.
Deutsch, D. Psychology and Music. In M.H. Bornstein (Ed.). Psychology and its Allied Disciplines, 1984, Hillsdale: Erlbaum, 155-194.
Deutsch, D. Two issues concerning tonal hierarchies: Comment on Castellano, Bharucha, and Krumhansl. Journal of Experimental Psychology: General, 1984, 113, 413-416.
Deutsch, D. & Boulanger, R.C. Octave equivalence and the processing of tonal sequences. Music Perception, 1984, 2, 40-51.
Deutsch, D. Two issues concerning tonal hierarchies: Comment on Castellano, Bharucha, and Krumhansl. Journal of Experimental Psychology: General, 1984, 113, 413-416.
Deutsch, D. Memory for auditory information. In Squire, L. R. and N. Butters (Eds.). Neuropsychology of Memory, 1984, The Guiford Press, 45-54.
Deutsch, D., F. R. Moore, & Dolson, M. Pitch classes differ with respect to height. Music Perception, 1984, 2, 265-271.
Deutsch, D. Musical space. In R. Crozier and T Chapman (Eds.). Cognitive Processes in the Perception of Art, 1984, North Holland
Deutsch, D. Review of H. R. Schiffman, Sensation and Perception. Journal of the Acoustical Society of America, 1984,
Deutsch, D. Review of M. Mayer, Sensory Perception Laboratory Manual. Journal of the Acoustical Society of America, 1984,
Deutsch, D. Review of Geissler et al. Psychophysical Judgment and the Process of Perception. Journal of the Acoustical Society of America, 1984,
Deutsch, D. Dichotic Listening to Melodic Patterns and Its Relationship to Hemispheric Specialization of Function. Music Perception, 1985, 3, 127-154.
Deutsch, D. Representation of pitch and pitch combinations. In H. Bruhn, R. Oerter, and H. Rosing (Eds.). Musikpsychologie - Ein Handbuch in Schluselbegriffen, 1985, Urban and Schwarzenberg
Deutsch, D. Review of J. A. Sloboda, The Musical Mind. The Times Higher Educational Supplement, 1985,
Deutsch, D. A musical paradox. Music Perception, 1986, 3, 275-280.
Deutsch, D. Recognition of durations embedded in temporal patterns. Perception and Psychophysics, 1986, 39, 179-187.
Deutsch, D. Auditory pattern recognition. In K. Boff, L. Kaufman and J. Thomas (Eds.). Handbook of Perception and Human Performance, 1986, Wiley, 32, 1-44.
Deutsch, D., Moore, F. R., & Dolson, M. The perceived height of octave-related complexes. Journal of the Acoustical Society of America, 1986, 80, 1346-1353.
Deutsch, D. & Feroe, J. La rappresentazione interna delle sequenze sonore nella musica tonale. In L. M. Lorenzetti, and A. Antonietti (Eds.). Processi cognitivi in musica, 1986, Milano, Franco Angeli Libri, 133-163.
Deutsch, D. Review of P. Howell, I. Cross, and R. West, Musical Structure and Cognition. Journal of the Acoustical Society of America, 1986,
Deutsch, D. Generalizzione dell'ottava e ritenzione dell'informazione melodica. In L. M. Lorenzetti, and A. Antonietti (Eds.). Processi cognitivi in musica, 1986, Milano, Franco Angeli Libri, 164-170.
Deutsch, D. Illusions for Stereo Headphones. Audio Magazine, 1987, 36-48.
Deutsch, D., Kuyper, W. L. and Fisher, Y. The tritone paradox: Its presence and form of distribution in a general population. Music Perception, 1987, 5, 79-92.
Deutsch, D. The tritone paradox: Effects of spectral variables. Perception & Psychophysics, 1987, 41, 563-575.
Deutsch, D. Auditory illusions. In R. L. Gregory (Ed.). The Oxford Companion to the Mind, 1987, 61-63.
Deutsch, D. Music perception: History of thought. In R. L. Gregory (Ed.). The Oxford Companion to the Mind, 1987, 505-506.
Deutsch, D. The Semitone Paradox. Music Perception, 1988, 6, 115-132.
Deutsch, D. Lateralization and sequential relationships in the octave illusion. Journal of the Acoustical Society of America, 1988, 83, 365-368.
Deutsch, D. Foreward to R. Frances. The Perception of Music (Translation of La Perception de la Musique), 1988, Hillsdale: Erlbaum
Deutsch, D. Pitch class and perceived height: Some paradoxes and their implications. In E. Narmour and R. Solie (Eds.). Explorations in Music, The Arts, and Ideas: Essays in Honor of Leonard B. Meyer, 1988, New York: Pendragon Press, 261-294.
Deutsch, D. Music perception. In E. Barnouw (Ed.). International Encyclopedia of Communications, 1988, Oxford University Press
Deutsch, D. Review of M. Campbell and C. Greated The Musician's Guide to Acoustics. Journal of the Audio Engineering Society, 1988,
Deutsch, D. Music for the Ear and Brain. Ars Musica, 1989,
Deutsch, D. Foreward to S. McAdams and I. Deliege (Eds.). Music and the Cognitive Sciences, Contemporary Music Review, 1989, Harwood Academic Publishers, London
Deutsch, D. Foreward to S.MacAdams and I. Deliege (Eds.). Musique et sciences cognitives, 1989, Editions Pierre Mardaga, Brussels
Deutsch, D. Some new musical paradoxes. In S. Nielzen and O. Olsson (Eds.). Structure and perception of electroacoustic sound and music, 1989, Springer-Verlag, 61-812.
Deutsch, D. Pitch class and octave similarity. Proceedings of the First International Conference on Music Perception and Cognit, 1989, Kyoto, Japan, 107-112.
Deutsch, D. Pitch proximity in the formation of harmonic groupings. Proceedings of the First International Conference on Music Perception and Cognit, 1989, Kyoto, Japan, 445-448.
Deutsch, D., North, T. and Ray, L. The tritone paradox: Correlate with the listener's vocal range for speech. Music Perception, 1990, 7, 371-384.
Deutsch, D. The tritone paradox: An influence of language on music perception. Music Perception, 1991, 8, 335-347.
Deutsch, D. Pitch proximity in the grouping of simultaneous tones. Music Perception, 1991, 9, 185-198.
Deutsch, D. Paradoxes of musical pitch. Scientific American, 1992, 267, 88-95.
Deutsch, D. Some new pitch paradoxes and their implications. In Auditory Processing of Complex Sounds. Philosphical Transactions of the Royal Society, Series B, 1992, 336, 391-397.
Deutsch, D. The tritone paradox: Implications for the representation and communication of In M. R. Jones and S. Holleran (Eds.). Cognitive bases of musical communication, 1992, American Psychological Association Monog, 115-138.
Deutsch, D. & Pierce, J. R. The climate of auditory imagery and music. In D. Reisberg (Ed.). Auditory Imagery, 1992, Hillsdale: Erlbaum, 237-260.
Deutsch, D. Some new pitch paradoxes and their implications. In R. P. Carlyon, C. J. Darwin, & I. J. Russell (Eds.). Processing of Complex Sounds by the Auditory System, 1992, Oxford University Press, Oxford, 97-104.
Deutsch, J. A., & Deutsch, D. Attention: Some theoretical considerations. In G. Underwood (Ed.), The Psychology of Attention. Volume in. International Library of Critical Writings in Psychology, 1993, Aldershot: Edward Elgar Publishing
Deutsch, J. A., & Deutsch, D. Comments on "Selective attention: perception or response?" In G. Underwood (Ed.), The Psychology of Attention. Volume in. International Library of Critical Writings in Psychology, 1993, Aldershot: Edward Elgar Publishing
Ragozzine, F. and Deutsch, D. A regional difference in perception of the tritone paradox within the United States. Music Perception, 1994, 12, 213-225.
Deutsch, D. The tritone paradox: Some further geographical correlates. Music Perception, 1994, 12, 125-136.
Deutsch, D. La perception des structures musicales. In A. Zenatti (Ed.). Psychologie de la Musique, 1994, Presses Universitaires de France, 115-144.
Deutsch, D. Die Wahrenehmung auditiver Muster. In W. Prinz and B. Bridgeman (Eds.). Wahrnehmung, Volume in Enzyklopadie de Psychologie, 1994, Verlag fur Psychologie, 339-389.
Deutsch, D. Illusions in sound and music. Sound and Video Contractor, 1994, 10-20.
Deutsch, D. Musical Intelligence. In R. J. Sternberg (Ed.). Encyclopedia of Human Intelligence, 1994, New York: MacMillan
Deutsch, D. Paradoxes of musical pitch. In Science and the Arts. Special Issue of Scientific American, 1995, 46-51.
Deutsch, D. The perception of auditory patterns. In W. Prinz and B. Bridgeman (Eds.). Handbook of Perception and Action, Vol 1, 1996, Academic Press, 1, 253-296.
Deutsch, D. Paradoxical music. Echoes (Acoustical Society of America), 1996, 6, 1-5.
Deutsch, D. The tritone paradox: A link between music and speech. Current Directions in Psychological Science, 1997, 174-180.
Deutsch, D. The psychology of hearing. Sound and Video Contractor, 1998, September, 34-44.
Deutsch, D. Paradoxien der Tonhohenwahrnehmung. In O. Gunturkun (Ed.). Biopschologie, 1998, Spektrum Akademischer Verlag GmbH, Heide, 18-25.
Deutsch, D. Grouping mechanisms in music. In D. Deutsch (Ed.). The psychology of music, 2nd Edition, 1999, Academic Press, 299-348.
Deutsch, D. Processing of pitch combinations. In D. Deutsch (Ed.). The psychology of music, 2nd Edition, 1999, Academic Press, 349-412.
Deutsch, D. Music. In Alan E. Kazdin (Ed.). Encyclopedia of Psychology, 2000, Oxford University Press and the American
Deutsch, D. The psychology of music (section). In Stanley Sadie (Ed.). The New Grove Dictionary of Music and Musicians. (revised), 2001, London: Macmillan
Deutsch, D. The Puzzle of Absolute Pitch. Current Directions in Psychological Science, 2002, 11, 200-204.
Deutsch, D. An interdisciplinary perspective on music and memory. Review of Music and Memory : An Introduction, by Bob Snyder. Contemporary Psychology APA REVIEW OF BOOKS., 2002, 47, 410-412.
Deutsch, D. An evolutionary perspective on music. Review of The Origins of Music., edited by N. L. Wallin, B. Merker, & S. Brown. Contemporary Psychology APA REVIEW OF BOOKS., 2003, 48, 54-56.
Deutsch, D. Absolute pitch - a connection between music and speech?. Bulletin of Psychology and the Arts, 2003, 4, 19-21.
Deutsch, D., Henthorn T. and Dolson, M. Speech patterns heard early in life influence later perception of the tritone paradox. Music Perception, 2004, 21, 357-372.
Deutsch, D., Henthorn T. and Dolson, M. Absolute pitch, speech, and tone language: Some experiments and a proposed framework. Music Perception, 2004, 21, 339-356.
Deutsch, D. The Octave Illusion Revisited Again. Journal of Experimental Psychology: Human Perception and Performance, 2004, 30, 355-364.
Deutsch, D. Reply to Reconsidering evidence for the suppression model of the octave illusion, by C.D. Chambers, J.B. Mattingley, and S.A. Moss. Psychonomic Bulletin and Review, 2004, 11, 667-676.
Deutsch, D. In Chapter 9 of E. Punset (Ed.), Lenguaje musical y humano. Cara a cara con la vida, la mente y el Universo, 2004, Barcelona: Destino, 241-248.
Deutsch, D.,& Hamaoui, K. Grouping mechanisms in music. In T.H. Stoffer and R. Oerter (Eds.). Encyclopedia of Psychology, Vol 1., 2005, Gottingen: Hogrefe, 1, 307-341.
Deutsch, D.,& Hamaoui, K. The processing of pitch combinations. In T.H. Stoffer and R. Oerter (Eds.). Encyclopedia of Psychology, Vol 1., 2005, Gottingen: Hogrefe, 1, 343-372.
Deutsch, D., Henthorn, T., Marvin, E., & Xu H-S. Absolute pitch among American and Chinese conservatory students: Prevalence differences, and evidence for a speech-related critical period. Journal of the Acoustical Society of America, 2006, 119, 719-722.
Deutsch, D. The Enigma of Absolute Pitch. Acoustics Today, 2006, 2, 11-19.
Deutsch, D. Music Perception. In 'Listening in the world: Behavioral and neurobiological bases of complex-sound perception'. Frontiers of Bioscience (special issue), 2007, 12, 4473-4482.
Henthorn, T. & Deutsch, D. Ethnicity versus Early Environment: Comment on 'Early childhood music education and predisposition to absolute pitch: Teasing apart genes and environment' by Peter K. Gregersen, Elena Kowalsky, Nina Kohn, and Elizabeth West Marvin (2000). American Journal of Medical Genetics, Part A, 2007, 143A, 102-103.
Deutsch, D., Hamaoui, K., and Henthorn, T. The Glissando Illusion and Handedness. Neuropsychologia, 2007, 45, 2981-2988.
Deutsch, D. Mothers and their offspring perceive the tritone paradox in closely similar ways. Archives of Acoustics, 2007, 32, 3-14.
Deutsch, D. Music and talk. In L. Margulis and E. Punset (Eds.). Mind, Life, Universe: Conversations with great scientists of our time, 2007, Chelsea Green Publishing Company, White River Junction, VT, 241-248.
Deutsch, D. Musical Illusions, In Larry R. Squire, Editor-in-Chief. Encyclopedia of Neuroscience, 2008, Academic Press, Oxford,
Deutsch, D. Review of Oliver Sacks: . Musicophilia - Tales of Music and the Brain, Scientific American Mind, 2008,
Deutsch, J.A., & Deutsch, D. Attention: Some theoretical considerations. In M Bronson (Ed.). Greenwich University Press Course Readers, in press, Greenwich University Press
Deouell, L. Y., Deutsch, D., Scabini, D., Soroker, N., and Knight, R. T. No disillusions in Auditory Extinction: Perceiving a Melody Comprised of Unperceived Notes. Frontiers in Human Neuroscience, 2008, 1,
Deutsch, D., Dooley, K., and Henthorn, T. Pitch circularity from tones comprising full harmonic series. Journal of the Acoustical Society of America, in press.
Wade, N., and Deutsch, D. Binaural hearing before and after the stethophone. Acoustics Today, in press,
In Kubovy, M. and J. Pomeranz (Eds.), Perceptual Organization, Hillsdale: Erlbaum, 1981. (audio cassette)
In Pierce, J.R. The Science of Musical Sound, Scientific American Library, 1983. (soft LP)
In Auditory Illusions and Audio. Special Issue of the Journal of the Audio Engineering Society, edited by Deutsch, D. 1983. (soft LP)
In Deutsch, D. Illusions for Stereo Headphones. Audio Magazine, March, 1987. (soft LP) [PDF Document]
In A. J. M. Houtsma, T. D. Rossing, and W. M. Wagenaars. Auditory demonstrations. Acoustical Society of America and Philips, 1987, (compact disc).
In Butler, D. The musician's guide to music perception and cognition. Schirmer, 1992 (compact disc).
Deutsch, D. Musical Illusions and Paradoxes. La Jolla: Philomel Records, 1995 (compact disc)
In Adelman, G. and B. H. Smith (Eds.) Encyclopedia of Neuroscience, 2nd Edition, CD-Rom Version, Amsterdam: Elsevier Science, 1999
Deutsch, D. Phantom Words, and Other Curiosities. La Jolla: Philomel Records, 2003 (compact disc)
Deutsch, D. An auditory illusion. Journal of the Acoustical Society of America, 1974, 55, s18-s19.
Deutsch, D. An illusion with musical scales. Journal of the Acoustical Society of America, 1974, 56, s25.
Deutsch, D. Octave equivalence in the processing of tonal sequences. (Invited presentation). Journal of the Acoustical Society of America, 1976, 60, s94.
Deutsch, D. Influence of relational context on pitch recognition as a function of retention interval. Journal of the Acoustical Society of America, 1976, 59, s51.
Deutsch, D. Lateralization by frequency in dichotic tonal sequences as a function of interaural amplitude and time differences. Journal of the Acoustical Society of America, 1976, 60, s50.
Deutsch, D. Left handers outperform right handers on a pitch memory task. Journal of the Acoustical Society of America, 1977, 61,
Deutsch, D. Ear dominance depends on sequential, frequency-specific interactions between tones at the two ears. Journal of the Acoustical Society of America, 1978, 63, s31.
Deutsch, D. Binaural integration of tonal patterns. Journal of the Acoustical Society of America, 1978, 64, s146.
Deutsch, D. Music perception. (Invited tutorial presentation). Journal of the Acoustical Society of America, 1979, 65, s92.
Deutsch, D. Memory for pitch and pitch relationships. In American Psychological Association Symposium: Individual and Sociocultural Determinants of Musical Perception and Production. Memory for pitch and pitch relationships., 1979, New York
Deutsch, D. Recall of hierarchically structured melodic sequences. Journal of the Acoustical Society of America, 1980, 67, s7.
Deutsch, D. The organization of musical information. American Psychological Association Symposium: Of Musical Charms and Noisy Theories, 1981., Los Angeles
Deutsch, D. Psychoacoustical illusions, handedness, and the spatial environment. (Invited presentation). 72nd Audio Engineering Society Convention, 1982, Anaheim
Deutsch, D. Music and the sciences: the interface. 25th Annual Meeting of the College Music Society, 1982, Boston
Deutsch, D. The processing of simultaneous musical streams. (invited presentation). Workshop on Physical and Neuropsychological Foundations of Music, 1983, Ossiach, Austria
Deutsch, D. Musical space. (Plenary Session Address.). International conference on Psychology and the Arts, 1983, Cardiff, Wales
Deutsch, D. The processing of simultaneous musical streams. Society for Music Theory Meeting, 1983, New Haven
Deutsch, D. Octave equivalence in the processing of tonal sequences. Journal of the Acoustical Society of America, 1983,
Deutsch, D. Dichotic listening to musical sequences: Relationship to hemispheric specialization of function. (invited presentation). Journal of the Acoustical Society of America, 1983,
Deutsch, D. A left-right anisotropy in the perception of tonal sequences. Psychonomic Society Meeting, 1983, San Diego
Deutsch, D., F. R. Moore. A spectral contrast illusion. Journal of the Acoustical Society of America, 1984, 76, s77.
Deutsch, D. Duration discrimination and the processing of rhythmic patterns. Psychonomic Society Meeting, 1984, El Paso
Deutsch, D., F. R. Moore, & Dolson, M. Pitch classes differ with respect to height. Journal of the Acoustical Society of America, 1985, 77, s35.
Deutsch, D. Nontransposable music. In American Psychological Association Symposium, Recent advances in the psychology of music, 1985, Los Angeles
Deutsch, D. Musical illusions and paradoxes, Invited Address. American Psychological Association Convention, 1985, Los Angeles
Deutsch, D. Stereo TV, Invited presentation. Society for Motion Picture and Television Engineers Workshop, 1985, Los Angeles
Deutsch, D. Nontransposable music.
. Society for Music Theory Meeting, 1985, Vancouver
Deutsch, D. An auditory paradox. Journal of the Acoustical Society of America, 1986, 80, s93.
Deutsch, D. Some new musical illusions, Invited presentation. Audio Engineering Society Convention, 1986, Los Angeles
Deutsch, D. A new pitch paradox. Journal of the Acoustical Society of America, 1988, 84, s144.
Deutsch, D., North, T. & Ray, L. Vocal range for speech determines perception of a musical pattern. Journal of the Acoustical Society of America, 1989, 86, S17.
Deutsch, D., L. Ray, M. Dolson, S. Zisook, and F. R. Moore. Computer evaluation of musical performance from the acoustic signal: An exploratory study on performance anxiety. (invited presentation). Journal of the Acoustical Society of America, 1990, 88,
Deutsch, D. A link between music perception and speech production. (invited presentation). Journal of the Acoustical Society of America, 1990, 88, S71.
Deutsch, D. Some new musical paradoxes: A link between music and speech. Invited Address. American Psychological Association, Division 3, 1991, San Francisco
Deutsch, D. Some new sound paradoxes and their implications. Royal Society Discussion Meeting on Auditory Processing of Complex Sounds, 1991, Royal Society, London
Ragozzine, F., & Deutsch, D. A regional difference within the United States in perception of the tritone paradox. Journal of the Acoustical Society of America, 1993, 94, 1860.
Deutsch, D. Mothers and their children hear a musical illusion in strikingly similar ways. Journal of the Acoustical Society of America, 1996, 99, 2482.
Deutsch, D. Some musical illusions and their relationships to speech. In Symposium on: Communication: Neurobiological and environmental approaches. AAAS Annual Meeting, 1997, Seattle
Deutsch, D. The tritone paradox: A link between music and speech. Invited paper. Workshop on Language and Music Processing, 1997, Marseilles
Deutsch, D., Henthorn, T. and Dolson, M. Absolute pitch is demonstrated in speakers of tone languages. Journal of Acoustical Society of America, 1999, 106, 2267.
Deutsch, D. Auditory illusions and the brain. Symposium on: Perception, Illusion, and the Brain. AAAS Annual Meeting, 1999, Anaheim
Deutsch, D., Henthorn, T. & Dolson, M. Bilingual speakers perceive a musical illusion in accordance with their first language. Journal of the Acoustical Society of America, 2000, 108, 2591.
Deutsch, D. Two curiosities relating music to speech. Presented to the Society of Experimental Psychologists, 2003,
Deutsch, D., Henthorn, T., Marvin, E. and Xu H-S. Tone language and absolute pitch: Prevalence among American and Chinese conservatory students. Journal of Acoustical Society of America, 2004, 116, 2580.
Deutsch, D. Dooley, K. Dubnov S. Henthorn, T. & Wurden, A. Pitch circularity produced by varying the amplitudes of odd and even harmonics. Journal of the Acoustical Society of America, 2005, 118, 1949.
Deutsch, D. Hamaoui, K. Henthorn, T. The Glissando Illusion: A spatial illusory contour in hearing. Journal of the Acoustical Society of America, 2005, 117, 2476.
Deutsch, D. & Henthorn, T. Two issues at the interface between speech and music. (invited presentation). Journal of the Acoustical Society of America, 2006, 120, 3167.
Griffiths, T. D., McDonald, C., Kumar, S., Deutsch, D., Chinnery, P., and Stewart, L. Could a congenital disorder of musical perception ever be explained by a single gene? Relating neuronal organization to a complex behavioural phenotype. Special Issue on the International Workshop on the Biology and Genetics of Music, Bologna, May 20-22. Neuromusic News, 2007, 12, 14.06.
Deutsch, D., Dooley, K., and Henthorn, T. A new pitch circularity illusion. Paper presented at the meeting of the. Society for Music Perception and Cognition, Montreal, Aug 1, 2007.
Deutsch, D., Dooley, K., and Henthorn, T. A new pitch circularity illusion. Annual Auditory Perception, Cognition, and Action Meeting, Long Beach, November, 2007,
SELECTED INVITED PRESENTATIONS
Workshop on Drugs and Cognition, organized by the National Institute on Drug Abuse; Belmont, September, 1978; Alsilomar, December, 1978.
Invited Presentation: Attention and Performance VIII, Princeton, 1978.
Invited Presentation: Ann Arbor Symposium on the Applications of Psychology to Music, November, 1978.
Invited Speaker and Session Organizer: Third Workshop on the Physical and Neuropsychological Foundations of Music, Ossiach, Austria, 1980.
Invited Public Lecture: Institut de Recherche et Coordination Acoustique-Musique, Paris, France, 1981.
Invited Lecture: Royal Swedish Academy of Music, Stockholm, Sweden, 1981.
Session Convener: NATO International Conference on the Acquisition of Symbolic Skills, Keele, England, 1982.
Panel Discussant: 25th Annual Meeting of the College Music Society, Boston, 1982.
MIT Learning Workshop, Los Angeles, 1982.
Chairman and Invited Speaker: Plenary Session, 72nd Audio Engineering Society Convention, Anaheim, 1982.
Invited Speaker and Session Organizer: Fourth Workshop on the Physical and Neuropsychological Foundations of Music, Ossiach, Austria, 1983.
Invited Presentation, Acoustical Society of America, November, 1983.
Plenary Session Speaker and Symposium Convener: International Conference on Psychology and the Arts, Cardiff, Wales, 1983.
Invited speaker, The Biology of Music Making, Denver, 1984.
Invited speaker, Society for Motion Picture and Television Engineers seminar on Stereo Television, Los Angeles, 1985.
Program committee member and session organizer, Fifth Workshop on the Physical and Neuropsychological Foundations of Music, Ossiach, Austria, 1985.
Invited Address, American Psychological Association Convention, Los Angeles, 1985, Division 1 (General Psychology), cosponsored by Divisions 3, 6, 10, 21, and 40.
Invited speaker and symposium chair, Recent advances in the psychology of Music, American Psychological Association Symposium, Los Angeles, 1985.
Invited speaker and session organizer, Winter Conference on Brain Research, Keystone, 1986.
Invited speaker and session organizer, 81st Audio Engineering Society Convention, Los Angeles, 1986.
Musical illusions and paradoxes. Invited lecture at the Reuben Van Fleet Theater, San Diego, sponsored by the Society for Amateur Scientists.
Perfect pitch and musical perception. Invited lecture at the Mozart Festival, Kennedy Center for the Performing Arts, Washington, D. C. 1998.
Musical illusions and paradoxes. Invited lecture at the Mozart Festival, Kennedy Center for the Performing Arts, Washington, D. C. 1998.
Invited Speaker, Annual Meeting of the American Association for the Advancement of Science, Anaheim, January 1999.
Robert and Winifred Smith Lecture, University of California Irvine, 1999.
Invited Presentation, Conference on The Sciences for the Arts, University of California, Irvine, 2000.
Invited Presentation, Annual meeting of the National Association of Schools of Music, San Diego, 2000.
Invited Address, American Psychological Society Convention, June, 2001, Toronto.
Public Lecture, Reuben H. Fleet Science Center, San Diego, November 2001.
Keynote Speaker, Auditory Perception, Cognition and Action Meeting, Kansas City, November 2002.
Featured Speaker, National Hearing Conservation Association Annual Conference, Dallas, February 2003.
Invited Speaker, Second Annual Meeting of the Society of Amateur Scientists, California Institute of Technology, July 2003.
Invited Lecture, Skeptics Society, California Institute of Technology, October, 2003.
2004 APS William James Distinguished Lecture, delivered at the annual meeting of the Southeastern Psychological Association, Atlanta, March, 2004.
Invited presentation, Gathering for Gardner 6 (g4g6) Atlanta, March,
2004.
Colloquium presentation, Ear Club, Department of Psychology, University
of California, Berkeley, May 2004.
Public Lecture, The Exploratorium, San Francisco, May 2004
Keynote speaker, CCRMA Open House, Stanford University, May, 2005.
Invited Presentation, Western Psychological Association Convention, Palm Springs, April, 2006.
Co-Chair (with Yoshitaka Nakajima) of Special Session "Perception of Speech and Music: Evidence for Modularity and for Common Processing Mechanisms" Fourth Joint Meeting Acoustical Society of American and Acoustical Society of Japan, Honolulu, Nov-Dec, 2006.
Invited lecturer, University of Southern California, April, 2007.
Invited Keynote Paper, The ICMPC series, and some current research on music perception and cognition. Proceedings of the 10th International Conference on Music Perception and Cognition, August 2008, Sapporo, Japan.
Invited Address, International Association of Empirical Aesthetics, Chicago, August, 2008.