Introduction
Technical Note
Memory for pitch and music
Octave illusion
Scale illusion
Chromatic illusion
Glissando illusion
Tritone paradox
Mysterious melody
Cambiata illusion

 

Mysterious melody

            The ‘mysterious melody’ was discovered and first published by Deutsch in Perception and Psychophysics, 1972. This musical brain teaser shows how our knowledge of a piece of music can have a profound influence on how we hear it. Suppose you play a well-known tune such that all  the note names (C, D, E, and so on) are correct, but the tones are distributed haphazardly among three different octaves. If people are given no clues as to what the tune might be, they find it very difficult to identify. But once they know what to listen for, the melody becomes easy to follow. The ‘mysterious melody’ provides a striking example of ‘top-down processing’ or the use of prior expectations, in sound perception.

sound example Deutsch's Mysterious_melody_example_1

The following track is identical to the one above, except that now the tones are all in the same octave. You should have no difficulty in recognizing this tune. Once you know what to listen for, try the pattern in example 1 again - you might find it much easier to follow. If it is not obvious right away, listen a few more times and the tune should finally emerge.

speaker Deutsch's Mysterious_melody_example 2

References:

Deutsch, D. Octave generalization and tune recognition. Perception & Psychophysics, 1972, 11, 411-412. [PDF Document]

Deutsch, D. Octave equivalence in the processing of tonal sequences. (Invited presentation). Journal of the Acoustical Society of America, 1976, 60, s94. [Web Link]

Deutsch, D. Octave generalization and melody identification. Perception and Psychophysics, 1978, 23, 91-92.

Deutsch, D. Octave Generalization and the Consolidation of Melodic Information. Canadian Journal of Psychology, 1979, 25, 399-405. [PDF Document]

Deutsch, D. The influence of melodic context on pitch recognition judgement. Perception and Psychophysics, 1982, 31, 407-410.

Deutsch, D. Octave equivalence in the processing of tonal sequences. Journal of the Acoustical Society of America, 1983, [Web Link]

Deutsch, D. & Boulanger, R.C. Octave equivalence and the processing of tonal sequences. Music Perception, 1984, 2, 40-51.

Deutsch, D. Processing of pitch combinations. In D. Deutsch (Ed.). The psychology of music, 2nd Edition, 1999, Academic Press, 349-412. [PDF Document]

 

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